Thursday, July 30

Ladies Front And Center(Video)

To all my ladies!!!!

This is what we need more of. All I can say is...Real Hip Hop(Is Back)!!!!





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When's The Last Time You Been Out??

These People "dO Music"... Do You?






















Imagine having more than 20 different contacts to choose from the next time you needed a songwriter, a producer, an artist, a studio engineer or even a musician or two. "I dO Music" is a tool specifically created for people who "dO Music" allowing them to network with one other. In addition, every month we host some of the best music business panels in the city with topics ranging from how to get your music on film scores to finding a management team that 'werks' for you!

Wether you're looking to Network, Learn, Promote, or Perform...If you are serious about your music career this event is a MUST ATTEND!!

August 6th @ 8pm

THE PANEL
Think Global, Werk Local
Building your music brand globally, alternative distribution outlets, and online platforms

THE PANELISTS
Jodi Cantonis, Muzak
Jacqueline Powers, Sony Music
Jeff Ivan, (Former) EMI Music Marketing
Carl Gillispie, Fresh MLK Media Strategy + Branding

THE FEATURES
SIYA
GLO
JAE B
JUDICIAL

(Feature Performance by...)
VERSE, Konvict/SRC/Universal Motown

GET AN OFFICIAL "I dO MUSIC" Tee TODAY!!! Order one now on the right~~~>

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The SunTrust Sports and Entertainment Specialty Group




The SunTrust Sports and Entertainment Specialty Group is something worth looking into for those artists, songwriters, record companies, and others in the entertainment industry looking for financial advisement.

SunTrust Sports and Entertainment Specialty Group provides some of the following benefits.

  • Intellectual property/royalty lending
  • Short-term tour financing
  • Royalty deposits and effective cash management
  • Aircraft, yacht, or multiple home financing1
  • Retirement planning
  • Financial guidance

A Financial Team That Understands Your Career

As team players, they work with you, your family, agent, attorney, business manager and any other advisors you may have. They are familiar with income that can change drastically from year to year with new contracts or the financing needs you may face before a tour. Above all else, they have music industry professionals who understand your strong need for discretion and confidentiality.

Intellectual Property/Royalty Lending

Songwriters and producers frequently borrow money from SunTrust to bridge the gap between payment cycles. Because of their extensive experience, they are often able to consider intellectual property and/or future royalty payments as solid collateral for loans.

Short-Term Tour Financing

They understand both the cost – and the ultimate payoff – of putting your show on the road. They also know that the grueling schedule of concert tours combined with precious time away from loved ones can create undue stress in a performer’s life. With short-term concert tour financing from SunTrust, there is one less thing for you to worry about.

Royalty Deposits and Effective Cash Management

Royalty checks, cash income from merchandise sales, and other cash payments need to be managed effectively. They offer cash sweep programs to help you maximize your current income, while giving you easy access to your money – when you need it most.

Aircraft, Yacht, or Multiple Home Financing

Multiple homes are common among music industry professionals, and traditional mortgages are rarely appropriate. They can structure customized financing deals that meet your desires for a second home1, a private jet, or a trip around the world.

Retirement Planning

Retirement in your business can come at an early age. Their music industry professionals are specially trained to help those in the music business achieve financial independence that can last a lifetime, no matter when they choose to retire.

Financial Guidance

As your trusted financial partner, they believe it is their responsibility to provide expert advice and education on spending, saving, borrowing, and planning for your future – before, during, and after your peak earning years.



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Music Education

Want to be a A&R .. Get your Paper work together..








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Monday, July 27

Billboard Reloaded




There is so many ways to obtain knowledge in the music business and it has become even simpler thanks to Billboard.com revitalized website.

Billboard has relaunched the site with new features and products that will provide music fans with a more interactive and customized discovery experience.

Billboard.com has been redeveloped from the ground up to leverage Billboard's exclusive access to top recording artists, providing fans with an engaging music environment complete with full-song streaming, authoritative music and touring news and social-media functions.

The hottest new feature of the new site is its extensive use of Billboard's exclusive charts data to create interactive features around the biggest hits of today and yesterday. Visitors can explore every genre of music, search historical charts dating back to the 1950s, post comments, find related news and artist information, listen to full-track streams of each entry and purchase songs -- all directly on the charts pages. In addition, for the first time Billboard.com is providing consumers with free access to the entire Hot 100 and Billboard 200 charts.

The relaunch comes after the growth for Billboard.com. Monthly unique visitors have surged from 3.9 million in July 2008 to 4.9 million during the 30 days ended July 20. Billboard expects the relaunch of Billboard.com to build on these gains.




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Travis Barker Does Music(Video)

It is clear to see when you have mastered your craft that performance becomes easy under any circumstance. Travis Barker is a definition of such.



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Thursday, July 23

The NY Times on The Future of The Music Business


Artists Find Backers as Labels Wane

July 22, 2009, 3:36 am There was a time when most aspiring musicians had the same dream: to sign a deal with a major record label.

Now, with the structure of the music business shifting radically, some industry iconoclasts are sidestepping the music giants and inventing new ways for artists to make and market their music — without ever signing a traditional recording contract, The New York Times’s Brad Stone writes.

The latest effort comes from Brian Message, manager of the alternative band Radiohead, which gave away its last album, “In Rainbows,” on the Internet. His venture, called Polyphonic, which was announced this month, will look to invest a few hundred thousand dollars in new and rising artists who are not signed to record deals and then help them create their own direct links to audiences over the Internet.

“Artists are at the point where they realize going back to the old model doesn’t make any sense,” Mr. Message told The Times. “There is a hunger for a new way of doing things.”

Polyphonic and similar new ventures are symptomatic of deep shifts in the music business. The major labels — Sony Music, Warner Music, EMI and Universal Music — no longer have such a firm grip on creating and selling professional music and minting hits with prime placement on the radio.

Much of that has to do with the rise of the Internet as a means of promoting and distributing music. Physical album sales fell 20 percent, to 362.6 million last year, according to Nielsen, while sales of individual digital tracks rose 27 percent, to 1.07 billion, failing to compensate for the drop. Mindful of these changes, in the last few years marquee musicians like Trent Reznor, the Beastie Boys and Barenaked Ladies have created their own artist-run labels and reaped significant rewards by keeping a larger share of their revenue.

Read the rest of this article at http://www.nytimes.com/2009/07/22/technology/internet/22music.html?_r=1&dbk

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Tuesday, July 21

NETWERKING 101 - The Twellow Pages

With social networking sites such as MySpace and Facebook, it’s a challenge to find people who share the same interests as you or who can be of assistance to your career. In the past, I would find myself searching through endless profiles hoping to find local music artists, music journalists, podcasters, and PR and marketing consultants that I could converse with and begin building my network. I found people here and there; however, there was a lot of time and energy put into making that happen.


With the internet becoming more intelligent, I knew there was something out there that could cut the time and energy spent in searching for A-alikes in half. Almost a month ago, I stumbled upon The Twellow Pages. If I need to find a company and how to contact them in the “real world”, I would use the Yellow Pages (I would actually use the internet, but let’s use this as an example). That’s the concept of Twellow Pages, but for the “virtual world”.


Twellow grabs publicly available messages from Twitter.com, analyzes and categorizes each of the users responsible for those messages into the various categories found at Twellow. This allows you to cut through the clutter by narrowing your search into specific niches.


The most amazing feature found on the site is “Twellow Hood”. It allows you to find people within your region, state or city.


If you’re not on Twellow, all you need to do is connect your Twitter account to the platform. Once you’ve done that, setup a profile and specify which categories (up to 10) in which you belong. You can also post other social networking sites you subscribe to. This is one of the best ways for people to find you, as well as NETWERK!



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The Chop Shop - An Event for Sample-Headz!!

Our Friends at Dynamic Producer, Presents: The Chop Shop in ATL on Wednesday July 29th at The BENCH. "Finally a place for sample-headz, break beat lovers, and those in tune with the essence of hip hop music & production to call home!"














For More Information on "The Chop Shop"...

Christopher "MayDay" Rucks


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Monday, July 20

Music Retail Asks...Did You Get What You Paid For???


You know they say if “it don’t make dollars it don’t make sense.” And lately, from my end, there has been a lot of that in the music industry. As a music retailer I hear way too many tales of artists and labels paying money for services that don’t make sense. The Eblast that nobody responds to and almost every industry person that I know deletes. The DJ troops that get you no radio/club spins. And the Internet marketing companies that can’t afford to pay advertising to the sites that really matter. And don’t get me started on the showcases.

THE E-BLAST SERVICE
Has anyone else noticed the influx of eblast you get saying how hot a song is? (and they send them 2 or 3 times a day) Only to open it up and hear some straight garbage. Then you start deleting those emails because most of the songs they sent before sucked. Plus you didn’t see a name that you recognized so you figure “new hot song email # 500″ from “jo blow delivers you the hits.com” is crap like last 499 were.

THE DJ TROOP
Some of them offer packages that start at $5,000 with 2,000 DJ’s affiliated with their crew. But for a $1,000, they will do you a favor and make some noise in a few cities. Then later you find out that no one in any of those cities have heard your song in the clubs or on the radio mix shows and the DJ tells you “man I did the best I could with $1,000 you gave me.”

THE INTERNET MARKETING COMPANY
If the promoting music in the streets is hard imagine trying to promote it on line to the entire WORLD. Where there are thousands of blogs, social networking sites and EVERYBODY is trying to be heard. And you paid how much for that company to set you up with a twitter account, say a few words about you on a blog that gets NO TRAFFIC, and get you that national buzz that can get a record deal. YEAH RIGHT!!! If you need a good referral of some companies that give results…holla at me and I will let you know who’s legit and who is not. I know some giants that will plug you into tens of thousands of people per day.

THE SHOWCASE where you could possibly land a record deal????
As of lately, showcases in Atlanta have proved to be a cash cow!!! With promises of TOP A&R’s and DJ’s that can get you some exposure. They charge you $3,000 for a booth in a club that any reputable A&R would never go to( and I know where they go because they call my store to see who’s hot in Atlanta). Or they may invite one top DJ in the city so that the $100 you paid to get your song heard and reviewed will make you feel like you actually made a valuable connection. Well, all I can say is watch out and do your homework before you pay that fee through Paypal. I don’t know about the rest of these showcase promoters…but as of right now all
I dO is MUSIC!!!!

In my opinion, for things to get better in the music industry, we have to stop paying the companies that sell dreams and start paying the companies that provide results. I know great companies that give top notch services and I see their methods work every day when customers start coming by the store asking for new artists or new songs. Or when record labels call the store and ask about the buzz on certain records. Just because there is a niche that needs to be filled doesn’t mean any company can fill it. Keep that in mind the next time you pay somebody telling you that they can make you the next big star in the music industry.

Read more from "That Retail Chick" on: http://thatretailchick.me

Follow "That Retail Chick" on these websites:





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Thursday, July 16

I dO MUSIC Interview: Pison Flo

Hello Fiends!

Local Atlanta rap artist shares his insight on what peace and dope means to him and his fiends.


Dale Lee Neal, or "Pison [PIE-zon] Flo",22, gets part of his stage name from simply falling asleep in church after a long day. Not always a rapper, Dale grew up writing poetry with a passion for film and acting. With his success in the Atlanta hip-hop indie scene, he's become a well known name in local Atlanta hot spots like Apache Cafe'. Flo (For the Lord Only) began his rap career simply free styling with his then roommate at Oral Robert's University in 2006. While in college, Flo majored in Film and Theater, not thinking about perusing a career in the music industry. Flo’s roommate, Dan, now producer KANEBEATz of Atlanic Records, would always make beats in their dorm room and Flo would write to them. After his freshman year at Oral Roberts University, Flo returned to Atlanta and continued doing drama at his church. Just by luck, Flo ran into producer/rapper "Mouthpiece" after a performance at his church where he just so happened to be rapping. Mouthpiece wanted to record with him and for the past three years, Pison Flo has been building his brand and his career keeping his values above anything else.

Q: How you came up with the name and the concept of "Pison Flo".

A: Pison is a river, in Genesis 2:11, one of the first of three rivers that were supposed to be around the Garden of Eden. It was where all of the gold and diamonds grew and then there was a stone called the Lapis Lazuli. It was the stone that grew around the river and it was blue. I researched it, Wikipedia whatever. After I found out all the things I needed to know about it, that’s when I said, “that’s gonna be my name.” I wanted something left field, to certain people like saying PISON is not something you would usually say. The FLO part just because the river flowed...You have it in the Bible and it’s the word of God. I try to take something from the Word and put it in my word and what I do that’s how FLO For the Lord Only came about and that’s what I came up with just falling asleep in church one day.

Q: Usually when people hear the word Fiend, they think negatively, so what exactly is a fiend?

A: The Fiends are you, the people who really dig what I’m doing and then I'M a fiend. So I’m like "The Fiend", the actual one and then the fans are the fiends. On the mix tape I have, there is this character, called "The Fiend" and he's explaining the concept of what it means for me to be doing "dope music" and the people being the fiends for the music and what consists of the dope. Like when I say dope, what do I really mean? Its talking about the music, the video's I may put out on Facebook, Myspace, ect.. that’s the dope. That’s the stuff you tangibly go out for [if that’s the type of person you are] basically the people who "mess" with me, that’s all it is. All the songs are based off of concepts from people that I know, or me.

Q: Earlier you said, "People wanna be into it, but not talk about it". Can you elaborate more about what you mean?

A: As far as any industry of any sort, like I was watching this thing on all the major powers of the world it’s like 120 of them and they are all from different places, [I forgot what its called] some of them from the media, some are presidents of other countries, just all kinds of people and they get together and talk about things that nobody else will talk about. They could be talking about world domination, I don’t know, so I figured if I can get a whole bunch of people from different genres of music and do music with people from different religious backgrounds, different cities, countries, regions...like that’s my biggest thing that I wanna do. I want to test my limits to what I can do and what I can't do. I don’t feel like there's anything I can’t do, "I can do all things through Christ who strengthens me" which is a scripture and all that good stuff, but if you get a reggae artist who says I wanna make a song with you, you need to indulge yourself in music from the islands and whatnot. That’s what I want to do as far as making music everywhere and that’s what’s gonna make my voice sound bigger when all kinds of people listen to me. From Black people to White people, to the people in Tokyo to the people in Decatur to the people in Omaha. If I’m not making the type of music that the people in Omaha listen to, then I’m not doing my talent any justice.

LISTEN TO PISON FLO...



Interviewed and written by Jayda_B

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Wednesday, July 15

Who’s Werking?


In 9000



Ludacris is working with Leslie Brathwaite having songs mixed at PatchWerk Studios. Ludacris’ Battle of the Sexes is the upcoming collaboration album between Ludacris & Shawnna. It will be the seventh studio album released by Ludacris and the third released by Shawnna. The album is set to be released in Summer 2009. Theater of the Mind 2, Luda’s solo project, is also slated for a 2009 Release.


Playaz Circle highly-anticipated debut album Supply & Demand was released on October 30, 2007, and featured the hit singles "Duffle Bag Boy" with Lil' Wayne, "Betta Knock" and "U Can Believe It" with Ludacris. Now back in the studio, working on their 2009 Release Flight 360, Playas Circle, is having songs mixed by Leslie Brathwaite assisted by M. Pratt at PatchWerk Studios.


Gucci Mane was at PatchWerk for several days this past June working with PatchWerk engineer Kori Anders and producer Drumma Boy. Gucci has a new official mixtape "Guccimania" out with some of his new 2009 singles featured on the mixtape and has recently inked a deal with Warner Bros. Records.


Fantasia, along with DJ Toomp, was also in PatchWerk this past June with PatchWerk engineer Dee Brown.

After the second studio album, Round 2 by contemporary R&B singer J. Holiday, Holiday is back in the studio, and was specifically at PachWerk working with engineer Mike Miller.


Other sessions in 9000 included those for Weezer (J. Stevenson/M. Miller), Bebe and Cece Winans (K. Anders), Nefarious Sound (K. Anders), USDA (L. Brathwaite/M. Pratt), and Bones (M. Miller).


In 995




Def Jam’s Lil’ Ru was also at werk with KP & Malay of Ghet-O-Vision. Lil’ Ru’s sessions were tracked by PatchWerk’s Mike Wilson.


Gucci Mane was at PatchWerk for several days this past June working with PatchWerk engineer Kori Anders. Gucci has a new official mixtape "Guccimania" out with some of his new 2009 singles featured on the mixtape and has recently inked a deal with Warner Bros. Records.


Singer/Songwriter Sean “The Pen” Garrett along with R&B singer Mario were back in the studio cutting a record together with engineer Miles Walker assisted by Mike "Snotty" Miller.


Yung Joc plans to release his third studio album Mr. Robinson's Neighborhood on Swagg Team Entertainment under Jive Records sometime in 2009. He was recently in PatchWerk working with Kori Anders.


Singer-songwriter, musician, and record producer, Teddy Riley, along with Krave were in PatchWerk working on new session produced by Bangladesh and assisted by Kori Anders and Dee Brown.


Fantasia, along with DJ Toomp, was had session engineered by PatchWerk engineer by Dee Brown.


After the second studio album, Round 2 by contemporary R&B singer J. Holiday, Holiday is back in the studio, and was specifically at PachWerk assisted by PatchWerk engineer Dee Brown.


Other sessions in 995 included those for Usher/Dow Jones (J. Preer), Y1’s (D.Brown), Like Blood (D.Brown), Verse (K. Anders), Skeet (A. Dickey), Joseph S. (K. Anders), Butta (D. Brown), Maintenance Man (M. Miller), Lil Geechie (M. Miller), Tha Bizness/Mistah Fab ( D. Brown)



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