In Studio 995
Staff Engineer Mike Wilson attracted the majority of clients at PatchWerk this April, mixing and tracking sessions for Young Haze, Block Work, J. Harden, Stic Man, Rocko and Sweet Rush. Assisted by up and coming engineer Dee Brown for most of his mix sessions, Wilson also engineered works for Block Work’s “Cool New World”, J Harden’s “Work Dat Pole”, and Young Haze’s “Buy That”. Wilson tracked and recorded vocals including “Watch Me” for Kidd, “We’re not alone” for Stic Man of Dead Prez and “Big Thangs” for Rocko . Wilson also tracked a session for Universal artists Sweet Rush.
Kori Anders and Denny Ogle tracked or mixed several sessions that came through PatchWerk as well in April. Anders Tracked sessions for Gucci Mane’s “Never Too Much”, Young Joc’s “Champagne Conversation”, and GB&Slick ‘s “Bands”, while Denny Ogle tracked sessions for Trinity 57, Tru Players and LA.
Also in studio 995, were Shawty Redd with Producer Seth Firkins and engineer Adrian Dickey, tracking “Da Fame” and “Who’s the Badest”. Drumma Boy of Drum Squad was in the studio tracking various songs, produced by Aron and engineered by Mike “Snotty” Miller, while last but not least was West End Poet tracking “Cock A Doo” engineered by Dee Brown.
In Studio 9000
PatchWerk welcomed producer, songwriter, R&B singer Sean Garrett, who’s credits include high profile clients such as Whitney Houston, Kelly Rowland, Rihanna, Michael Jackson, just to name a very few. He was in 9000 working with producers Avila Brothers on various songs engineered by Miles Walker, assisted by Denny Ogle.
Most of the sessions in 9000 this April however were mix sessions by Leslie Braithwaite and Assistant Engineer Justin Trawick. With the exception of a couple, Brathwaite and Trawick held it down for most sessions in 9000. Together they mixed well over a dozen sessions for clients including 2 Pistols, Gucci Mane, G5, Rock City, Lil Wayne, and Plies.
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