Is There a Formula for a Hit Song?

 What do hit songs have in common that can unite soccer moms with club rockers and hipsters? Literally creating one nation under a groove!

Two Rutgers master degree candidates created a presentation called "Visualizing A Hit" that maps popular songs against some of their musical attributes in an effort to find out what they share, and how they have changed over time.

First, they tapped Billboard’s chart data to build a database of over 4,200 popular songs, their peak ranking, Billboard “Hit Status,” and number of weeks they were on the charts.

They then cross-referenced that data against detailed musical information for each song — its key, mode (major, minor, etc.), tempo, loudness, “danceability level,” and “energy level” using data from The Echo Nest. (Disclosure: The Echo Nest, a music intelligence platform, publishes Evolver.fm.)

The resulting study revealed a number of interesting findings – among them, that Madonna is the overall queen of pop, songs are getting longer, louder, dancier and (barely) more energetic, and the optimal number of beats per minute over the past few decades was precisely 119.8:

“Madonna has had 36 songs [in the top 10 and] The Beatles are right behind her with 34″:

Check out the presentation here.

Might be interested in what you discover!



What's your take... leave your comments below.

10 Ways to Trade a Song for an Email Address

 I measure my success as a recording artist by the growth of my mailing list. The best way to get someone to subscribe is to offer something in return, and a great song is a powerful incentive. Here are ten techniques to negotiate that delicate exchange:

1. The classic squeeze page. You’ve probably stumbled onto one of these before: a fine-tuned infomercial-style pitch with a clear call to action and no exit links. The sole goal of the site, often just a single page, is to generate conversions. In our case, a conversion means “squeezing” an email address out of a potential fan. Seamus Anthony describes the method here and demonstrates it using his own music here. It may do the trick for first-time visitors, but returning fans have no clear path to explore the rest of your content.

2. The homepage squeeze. Identical to the classic squeeze page, except for a small link that takes you to the rest of the site. Returning fans are forced to opt out every visit – an annoying speed bump. Then again, if the free song is rotated often enough, it may encourage repeat visits. Theoretically, a site could use cookies to bypass the squeeze page for return visitors, but I don’t know of any service or WordPress plugin that does it.

3. The “free mp3 download” page. This is my current strategy, but there’s definitely room for improvement. An SEO friendly “yourbandname.com/free-mp3-download” URL and clever use of keywords can pull in traffic from Google searchers trying to freeload your music. While a simple “free mp3s” link in your site’s navigation isn’t distracting for repeat visitors, it’s easy to overlook. Still, I’m not going to force my fans to jump through hoops every time they want to post a comment.

4. The fan club. Thomas Dolby offers two full EPs exclusively to registered members of his forum. This soft sell approach encourages die-hard fans to join the conversation, but I doubt it pulls in much new blood. If your focus is to satisfy your existing fanbase, fan club exclusives offer a surefire way to retain their love and devotion.

5. The widget. Your mailing list service should provide a widget to gather fan addresses (I use ReverbNation’s FanReach, but FanBridge is another great choice). You’ll obviously need it for the squeeze page of your site. If you’re still sporting a MySpace page, you’ll want to embed it there as well. On sites where you can’t embed a widget, you can link directly to the signup form. ReverbNation and FanBridge provide every artist with a landing page to send potential subscribers to (for example, mine is here).

Click here to read the entire post from PassivePromotion.com.

What's your take... leave your comments below.

Numark Turns iPad Into DJ Console



The Consumer Electronic Show held in Las Vegas, Nevada always has the latest in technology and this year was no different. It is amazing to see where technology has evolved today's dj. Numark iDJ Live is the latest hardware device utilizing for the iPad with two turntables and a mixer, which controls an DJ app on the iPad.

What appears to be a toy is actually quite a powerful device. It has the ability needed for scratching, cross fading, setting cue points and tapping the touch sensitive vinyl to stop it from "spinning."

The iPad acts as the brain, processor, and touchscreen of the system. All that is needed is the hardware which is being retailed at $99.

How do you feel about this new piece of technology? Will we have a league of iPad Dj's soon?



What's your take... leave your comments below.

Music Lovers Have A Choice: AT&T or Verizon

 Today the announcement was made letting the world know Verizon and Apple intend on launching the iPhone on the VZW Network February 10th. The excitement is shared by many but the question we want to know is how does this effect the music lovers?

We have listed a few key ares to make note of.

 

Unlimited Data

This is probably the most important item on this list where music fans are concerned, because streaming music from the cloud to your music apps can consume lots of data — and that means financial penalties, unless you have an unlimited data plan. Even if you’re not going to hit your limit, you don’t even want to have to think about it.

The Chicago Sun-Times confirmed early reports that Verizon would offer an unlimited data plan for the iPhone. even though Verizon didn’t mention unlimited data during its presentation, and no mention of the phrase exists in either Verizon’s or Apple’s press release.

Still, a Verizon representative confirmed that the company will offer iPhone users its unlimited data plan, which currently costs $30 per month. AT&T’s 2GB-limited data plan costs $25. If you want to download or stream lots of music to your phone without incurring overage charges, the Verizon iPhone is for you, unless one of the following areas is more important.

Country(-wide) Music

Verizon bills itself as “the nation’s largest” 3G network, and it’s right, by all accounts. If you spend lots of time in places where Verizon offers 3G service and AT&T doesn’t, you should obviously go with the Verizon iPhone.

Verizon also bills itself as the “most reliable” 3G network in the U.S., and it’s true, AT&T takes a lot of heat for the quality of its service. However, that’s partially the fault of all those iPhone users. These networks have finite capacity, so it matters how many other data-hungry people are using the network,, and iPhone users are notoriously data-hungry. A flood of new 3G Verizon customers in your area could cause problems in all of the network-related categories listed here, even though Verizon’s coverage map is largest.

CDMA vs. GSM

The Verizon iPhone connects via CDMA, which drops the data connection should you receive a voice call, unlike AT&T’s GSM radio, which can keep both connections alive. Depending on how you use your phone, Verizon’s configuration could either be a minor nuisance or a major distraction (for instance, if receive lots of calls and like to stream music to your phone).

Speed Counts (Plus iPhone 5)

The speed of these two networks matters a great deal — not only for getting the best sound quality from music streams and downloading songs quickly to your phone’s local memory, but for caching music. Streaming services such as MOG and Pandora buffer music on the phone’s memory, so that your music doesn’t skip when your phone switches to a new cell tower — something that happens quite frequently when you’re driving on a highway, for instance. A faster connection not only saves time, but can help prevent skipping by allowing music to buffer quickly in areas with spotty reception.

Verizon exec Dan Dee called his company’s network “the nation’s most reliable” during today’s announcement. However, AT&T is considered the nation’s fastest, so it takes this round. (As just one example, it swept PC Magazine’s 18-city test last summer.)

Verizon could win this battle in a heartbeat by selling a version of the iPhone that worked on its faster 4G LTE network. We have a feeling you’ll have to wait for the iPhone 5 before that happens though — after all, the 3G model isn’t even on sale yet.

“This is just the beginning of a relationship between Apple and Verizon,” said Apple chief operating officer Tim Cook during the announcement, hinting at possible future collaborations to come, including the potential Verizon 4G LTE iPhone 5 that would dominate this field. “I’m very optimistic about what the future holds.”

Tethering Other Devices

Verizon wins this round handily. If you want to tether other Wi-Fi devices (i.e. connect WiFi-capable MP3 players, Wi-Fi cameras for uploading gig photos, internet radios, and eventually car radios) to your iPhone, Verizon is for you.

The Verizon iPhone can tether to up to five devices right out of the box, whereas AT&T charges iPhone owners $20 per month for the same thing. In addition, tethering renders AT&T’s legacy unlimited plan, available only to longtime users of the iPhone, null and void.

Device Capacity, App Selection, Flash Support, Audio Hardware

The two iPhones are tied in these categories. AT&T and Verizon both sell the 16GB and 32GB versions of the iPhone for $199 or $299 respectively.  (Verizon lacks the 8GB model that AT&T offers, but music fans need more capacity than that anyway.)

In addition, you get the same apps with either phone — whatever Apple lets into the iTunes App Store.
Neither phone supports Flash audio or video, so if you want to play all of the web-embedded music you come across on your phone’s browser (music blogs, etc.), you should ignore both iPhones and probably consider an Android.

Finally, we don’t expect any real sound quality difference between the two models. Any audiophiles capable of discerning between the audio interference caused by AT&T’s GSM radio signal vs. Verizon’s CDMA radio signal would not be caught dead listening to music on a phone anyway.

Conclusion: Verizon Wins, If Its Network Backs Up Its Talk

AT&T’s speed is a necessity for a high-quality music experience, but Verizon’s unlimited data plan trumps just about everything else on this list where music fans are concerned. After all, that $10/month MOG subscription is pretty meaningless if you feel nervous about using it for fear of hitting your data limit. And while Verizon’s inability to maintain a data connection during a voice call will be a problem for some music fans, it’s unlikely to be a deal-breaker for most.

So, Verizon takes it — for now.
The real test will occur after the initial flood of iPhone subscribers appears on Verizon’s network. AT&T, too, once offered unlimited data to iPhone users, a policy it ceased in order to cope with iPhone users’ intensive data usage. Verizon had better be as ready for the iPhone as it says it is (and not as ill-prepared as AT&T claims Verizon to be). Otherwise, Verizon will either be forced to limit iPhone owner’s data as AT&T did or offer service so slow that it becomes all but useless, especially from a music perspective.

Source: Evolver.fm



What's your take... leave your comments below.

Who's Werking?



SESSION REPORT

For Immediate Release

Contact:

Toya Elise Brown

404-874-9880


DECEMBER 2010 SESSION REPORT



Who Werked in STUDIO 9000?


This past December at PatchWerk Studios Keyshia Cole held a listening party for her fourth studio album Calling All Hearts. The album's first single is entitled, I Ain't Thru, featuring Nicki Minaj and it's second single is entitled Long Way Down. The album contains production from Krucial Keyz, The Runners, Kanye West, and Missy Elliott.

I Pledge Allegiance to the Grind 3 is the third entry in Mike Bigga's acclaimed album series. It's his first since switching his name to Mike Bigga from Killer Mike in 2009. The album additionally represents his first since 2009's bloated Underground Atlanta. For I Pledge Allegiance to the Grind 3, Mike linked up with like-minded rappers in his area such as T.I. and Rock D. But he's also looked outside ATL for help behind the boards from No I.D. and Flying Lotus . Recently Mike was in Patchwerk Studios working alongside Guest Engineer Brad and PatchWerk Studios engineer Dee Brown.

Akon's fourth studio album, Akonic, was released on November 29, 2010. The album's lead single, Angel, was released to US radio stations on September 14, 2010 and was released as a single on September 27, 2010. This past December, Akon was in PatchWerk Studios having songs mixed by Leslie Brathwaite assisted by PatchWerk engineer Muzzy Solis.

Other Sessions in Studio 9000 included those for Gucci Mane (K. Anders), ASCAP/Woodson Elementary (M. Wilson), Jackie/Jazze Pha (L. Banks), Shareefa (M. Carter), Don Cannon (L. Banks), Wyld Money (S. Firkins/ L. Banks), Memph Hitz (C. Hammond), Jil (B. Friesen), Young Boyz (L. Brathwaite), Fiasco (M. Wilson), Kevin Lawrence (M. Wilson)

(TO BOOK A SESSION IN PATCHWERK'S STUDIO 9000 CALL 404-874-9880)



Who Werked in STUDIO 995?

Former Blackstreet member Dave Hollister is working on his

7th solo album overall and 5th R&B album Chicago Winds: The

Saga Continues looking to be released 1st quarter 2011. He's

working with Eric Dawkins, Steven Russell of R&B Group

Troop, Stevie J., Mike City and others. Hollister was in

PatchWerk Studios for several days this past December

working alongside PatchWerk engineer Dee Brown.

Rapper Gucci Mane has revealed that his album The State Vs.

Radric Davis was only the first installment of a three-part

series of albums. Gucci Mane revealed that the third and final

album will be titled The Final Verdict. Gucci was in PatchWerk Studios for almost the entire month of December having several songs recorded and mixed for the album by PatchWerk engineer Kori Anders.

Other sessions in 995 included those for Gail Scott (L. Banks), Dirty Dave (M. Wilson), CDR (M. Wilson), K-Slimm (Planet 9/B. Friesen), Trick Trick (L. Banks), Mr Good (R. Seay), 2win (N. Solis/M.Carter), Prophecy Child (M. Wilson), Heed (D. Brown), Lil Twist (L. Banks), PJ (M Carter), J Rich (K. Anders/L. Banks), HD (M. Wilson), Daryl Dickerson (Jimmy/D. Brown)



TO BOOK A SESSION IN PATCHWERK'S STUDIO 995 CALL 404-874-9880



Who's Werking in STUDIO 1019?

The newest breakout artist from the music Mecca -Atlanta, GA-is known professionally as Young Dose. Dose has been crafting his style since he was a kid and is already being compared to ATL superstars T.I. & Young Jeezy. His debut project titled Genesis has some of the best young producers in the ATL. With production by platinum producers Nitti, Shawty Red, Midnite Black, Teddy Bishop, Zaytoven. This past December, Dose was in PatchWerk Studios for several days working with PatchWerk engineer Charles Hammond.

Other session in 1019 included those for Nicole (D. Brown), Blaze 1 (D. Brown), Yelawolf (M. Carter), J Wezz (M. Wilson), Holotka (M. Wilson), Hector Fernandez (L. Banks), J Bean (D. Brown), Spade Kosta (L. Banks), Netta Ellis (L. Banks), 34 (M. Wilson), Marco (D. Brown), Webbie (D. Brown)



TO BOOK A SESSION IN PATCHWERK'S STUDIO 1019 CALL 404-874-9880


PatchWerk Recording Studios (www.patchwerk.com) is a world-class recording facility that has catered to the national entertainment industry since opening in 1995. The company, which is centrally located in the heart of Midtown Atlanta, has earned a reputation for its excellent sound quality and superb customer service. PatchWerk features Georgia's only SSL 48-channel Duality Console as well as Georgia's only SSL 9000 J Series Console. The larger of the two studio rooms, Studio 9000, features design by industry leader Russ Berger (RBDG). PatchWerk has continuously serviced the top record labels from around the world and has accomodated an endless array of world-renowned talent, including TLC, Beyonce Knowles, Outkast, Usher, Ludacris, the Neptunes, Rodney Darkchild Jerkins and Bow Wow.





What's your take... leave your comments below.